apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Mock Turtle drew a long breath and said, 'That's very curious'
The Mock Turtle drew a long breath and said, 'That's very curious' by Arthur Rackham

plate no. 9348

The Mock Turtle drew a long breath and said, 'That's very curious'

Arthur Rackham

oilArt Nouveau (Modern)illustrationfiguresturtlegriffinclifffoliagebeach
some experience helpful

Recreating this painting will help students develop skills in detailed line work, creating depth through subtle value changes, and rendering fantastical creatures with believable textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement of figures.

  2. step 02

    Outline the key elements with a fine liner pen, varying line weight to create depth and emphasis.

  3. step 03

    Begin adding shading with light washes of diluted ink or watercolor, starting with the darkest areas.

  4. step 04

    Gradually build up layers of shading, paying attention to the form and texture of each element.

  5. step 05

    Use dry brush techniques to create texture on the rocks, foliage, and creatures' fur/feathers.

  6. step 06

    Add subtle color washes to enhance the overall mood and atmosphere.

  7. step 07

    Refine details and highlights with a white gel pen or diluted white ink.

  8. step 08

    Review the overall composition and make any necessary adjustments.

color palette

primary · sepia · raw umber · ivory black

secondary · payne's gray · yellow ochre · burnt sienna

Achieve the muted tones by diluting inks or watercolors with water. Mix small amounts of secondary colors into the primary tones to create subtle variations.

techniques

  • ·cross-hatching
  • ·dry brushing
  • ·wash technique
  • ·line variation
  • ·stippling

common pitfalls

  • →Overworking details too early
  • →Using too much water and losing control of the washes
  • →Creating flat, lifeless tones without enough value contrast
  • →Ignoring the importance of line weight in creating depth

materials

surface · Watercolor paper 140lb

required

  • ·Fine liner pens (various sizes)
  • ·Watercolor paper or mixed media paper
  • ·Sepia ink or watercolor
  • ·Raw umber ink or watercolor
  • ·Ivory black ink or watercolor
  • ·Round brushes (various sizes)
  • ·Water container

optional

  • ·White gel pen
  • ·Palette for mixing
  • ·Masking fluid

Using archival quality inks and paper will ensure the longevity of the artwork. Experiment with different types of paper to find one that suits your style.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois