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home·artworks·The Missal
The Missal by John William Waterhouse

plate no. 3743

The Missal

John William Waterhouse, 1902

oil, canvasRomanticismreligious paintingfigurewindowgardeninteriorbookdress
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and atmospheric perspective. It also provides practice in capturing subtle color variations and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background elements, paying attention to atmospheric perspective.

  4. step 04

    Refine the figure, focusing on accurate anatomy and subtle shading.

  5. step 05

    Add details to the dress, capturing the folds and highlights.

  6. step 06

    Paint the face and hands, paying close attention to the light and shadow.

  7. step 07

    Add the details of the book, candle, and other objects.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber

Mix various shades of gray and blue-gray for the dress. Use red and yellow ochre for the skin tones, and add a touch of blue to create shadows. Mix greens for the garden scene.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or flat lighting
  • →Inaccurate color mixing
  • →Lack of attention to detail in the drapery
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, titanium white, cadmium red light, yellow ochre, ultramarine blue, burnt umber)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with.

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