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home·artworks·The Miracle of the Child Attacked and Rescued by Augustine Novello
The Miracle of the Child Attacked and Rescued by Augustine Novello by Simone Martini

plate no. 4225

The Miracle of the Child Attacked and Rescued by Augustine Novello

Simone Martini, 1328

oilInternational Gothicreligious paintingfiguresbuildingdogreligious scenearchitecturemiracle
some experience helpful

Recreating this painting will help students develop skills in figure drawing, architectural rendering with simplified forms, and creating a sense of depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the building outlines and figure placements.

  2. step 02

    Block in the large areas of color for the background, architecture, and figures.

  3. step 03

    Refine the shapes of the buildings, adding details like windows and battlements.

  4. step 04

    Develop the figures, paying attention to their poses and drapery.

  5. step 05

    Add details to the faces and hands, using small brushes.

  6. step 06

    Paint the dog, capturing its dynamic pose.

  7. step 07

    Create the golden halo and architectural details in the upper section.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the scene.

color palette

primary · ochre · red · gray · black

secondary · white · gold · brown

Mix ochre with white to create lighter tones for the buildings. Use red and black to create the darker shades for the figures' clothing. Mix gold with brown to create the golden halo.

techniques

  • ·flat color application
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·simplified form rendering

common pitfalls

  • →overcomplicating the architectural details
  • →getting the figure proportions wrong
  • →making the colors too vibrant
  • →losing the flatness of the original painting

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (ochre, red, gray, black, white, gold, brown)
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use a smooth canvas to mimic the original painting's surface. Acrylics are suggested for ease of use, but oils could also be used.

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