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home·artworks·The Milliner
The Milliner by Eva Gonzales

plate no. 9077

The Milliner

Eva Gonzales, 1877

gouache, pastelImpressionismportraitfigureportraitdressflowershatsinterior
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color and creating soft, diffused edges. It also provides practice in rendering fabric and floral details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, hat stand, and box.

  2. step 02

    Block in the background with a thin wash of light gray, suggesting the floral pattern.

  3. step 03

    Establish the basic colors of the dress, skin tones, and other objects with broad strokes.

  4. step 04

    Begin to build up layers of color, focusing on capturing the light and shadow.

  5. step 05

    Refine the details of the face, hands, and flowers, using smaller brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the edges of objects, softening them where necessary to create a sense of atmosphere.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · ultramarine blue · titanium white · burnt sienna

secondary · cadmium red · yellow ochre · viridian

Mix various shades of blue and white for the dress. Use burnt sienna and white with touches of red and yellow for skin tones. Create muted greens by mixing yellow ochre and viridian.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·soft edges
  • ·layering

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Using colors that are too saturated and bright.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a canvas with a medium texture to allow for better paint adhesion and brushwork.

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related guides

color theory for painters →how to learn by studying the masters →
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