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home·artworks·The Mill
The Mill by Edward Burne-Jones

plate no. 4821

The Mill

Edward Burne-Jones, 1882

oil, canvasRomanticismgenre paintingfiguresarchitecturewatergardendressesreflection
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery, and creating atmospheric perspective. It also provides practice in rendering reflections and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architecture.

  2. step 02

    Block in the main colors of the figures' dresses and the background elements.

  3. step 03

    Develop the values and shading within each figure, paying attention to the folds and drapery.

  4. step 04

    Add details to the architecture, including the arches, windows, and reflections in the water.

  5. step 05

    Refine the colors and values, creating a sense of depth and atmosphere.

  6. step 06

    Add highlights and details to the figures' faces and hands.

  7. step 07

    Create the reflections in the water, using slightly muted versions of the colors above.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · Prussian blue · Burnt umber · Yellow ochre

secondary · Cadmium red · Viridian green · Titanium white

Mix greens by combining Prussian blue and Yellow Ochre. Achieve muted tones by mixing complementary colors (e.g., red and green).

techniques

  • ·Glazing
  • ·Scumbling
  • ·Blending
  • ·Underpainting
  • ·Layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Not paying enough attention to the values and shading.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Burnt umber, Yellow ochre, Cadmium red, Viridian green, Titanium white)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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