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home·artworks·The Milanese consuls tear and trample the decree of Barbarossa
The Milanese consuls tear and trample the decree of Barbarossa by Francesco Hayez

plate no. 5221

The Milanese consuls tear and trample the decree of Barbarossa

Francesco Hayez, 1859

oil, canvasRomanticismhistory paintingfiguresarchitecturehistorical sceneinteriorarmorbanner
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing complex scenes with many figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values, focusing on the large areas of light and shadow.

  3. step 03

    Start refining the figures, paying attention to proportions and anatomical details.

  4. step 04

    Develop the drapery, using highlights and shadows to create a sense of volume and texture.

  5. step 05

    Add details to the architecture and other background elements.

  6. step 06

    Refine the lighting and atmosphere, using glazes to create depth and subtle color variations.

  7. step 07

    Add the final details, such as the faces, hands, and textures of the armor and fabrics.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · burnt umber · raw sienna · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue · titanium white

Achieve the muted tones by mixing earth pigments with black and white. Use glazes of transparent colors to create depth and subtle color variations.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Flat or lifeless drapery
  • →Lack of depth and atmosphere
  • →Overworking details too early
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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