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home·artworks·The Mier Expedition The Drawing of the Black Bean
The Mier Expedition The Drawing of the Black Bean by Frederic Remington

plate no. 3362

The Mier Expedition The Drawing of the Black Bean

Frederic Remington, 1896

oilImpressionismhistory paintingfigurescourtyardsoldiersbuildinghistorical eventtable
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating a sense of depth through atmospheric perspective and value changes. It also provides practice in capturing the texture of stone and fabric with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the perspective of the courtyard and the placement of the figures.

  2. step 02

    Block in the large shapes of the buildings and the ground with thin washes of color.

  3. step 03

    Establish the basic values of the figures, differentiating between the darker uniforms and the lighter ones.

  4. step 04

    Begin adding details to the figures, focusing on the faces and the folds of their clothing.

  5. step 05

    Develop the texture of the stone courtyard using broken brushstrokes and varying values.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction of the light source.

  7. step 07

    Add final details, such as the weapons and the pottery.

  8. step 08

    Glaze over the painting to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Add small amounts of red and blue to create subtle variations in the shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·blocking in

common pitfalls

  • →Overworking the details too early
  • →Incorrect perspective of the courtyard
  • →Lack of value contrast
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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