apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Mice Hear Simpkin Outside
The Mice Hear Simpkin Outside by Beatrix Potter

plate no. 2967

The Mice Hear Simpkin Outside

Beatrix Potter, 1902

oilArt Nouveau (Modern)illustrationmicecandlesroomclothinginteriorlight
some experience helpful

This painting is great for practicing animal anatomy and rendering fur texture with hatching and cross-hatching. Students can also learn about creating a sense of depth and atmosphere using light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the mice and the main objects.

  2. step 02

    Establish the basic shapes and proportions of each mouse, paying attention to their poses.

  3. step 03

    Block in the main color areas for the mice, clothing, and background using diluted washes.

  4. step 04

    Add layers of hatching and cross-hatching to build up the fur texture and create shadows.

  5. step 05

    Define the details of the faces, ears, and tails of the mice.

  6. step 06

    Paint the candles and the light they emit, using brighter colors and highlights.

  7. step 07

    Add the details of the clothing and the wooden floor and walls.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · burnt umber · raw sienna · payne's gray

secondary · rose madder · cerulean blue · yellow ochre

Mix burnt umber and raw sienna for the base color of the mice fur. Add Payne's gray for shadows and rose madder for highlights. Use diluted washes of yellow ochre for the wooden surfaces.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·layering
  • ·washes

common pitfalls

  • →Overworking the fur texture and losing the sense of form.
  • →Making the colors too saturated and losing the muted, naturalistic feel.
  • →Not paying enough attention to the proportions of the mice.
  • →Failing to create a convincing sense of light and shadow.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 0, 2, 4)
  • ·pencil
  • ·eraser
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·ruler
  • ·masking fluid
  • ·fine liner pen

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve different levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois