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home·artworks·The Mermaid
The Mermaid by Howard Pyle

plate no. 1946

The Mermaid

Howard Pyle, 1910

oilRomanticismillustrationmermaidmanoceanrocksmoonfigure
some experience helpful

Recreating this painting will help students develop skills in blending skin tones, creating the illusion of water, and understanding atmospheric perspective. It also provides practice in depicting figures in dynamic poses and capturing the interaction of light and shadow on skin and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, rocks, and horizon line.

  2. step 02

    Block in the main areas of color: the sky, water, rocks, and figures, using thin washes.

  3. step 03

    Develop the skin tones of the figures, layering and blending colors to create a sense of depth and form.

  4. step 04

    Paint the details of the mermaid's hair and jewelry, adding highlights and shadows to create dimension.

  5. step 05

    Work on the water, using different shades of blue and white to depict the waves and reflections.

  6. step 06

    Add the details of the rocks, paying attention to the texture and color variations.

  7. step 07

    Paint the moon and its reflection on the water, creating a focal point for the painting.

  8. step 08

    Refine the details and add finishing touches, such as the fish in the foreground.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson · viridian

Mix various blues and whites for the water, adding touches of yellow ochre and burnt sienna for warmth. Use alizarin crimson and yellow ochre to create the skin tones, blending with white for highlights and ultramarine for shadows. Mix viridian with ultramarine to create the dark greens in the mermaid's hair.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to create a sense of depth in the water.
  • →Incorrectly proportioning the figures.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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