apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Meeting of the Elegant Ladies
The Meeting of the Elegant Ladies by Adolphe Joseph Thomas Monticelli

plate no. 5081

The Meeting of the Elegant Ladies

Adolphe Joseph Thomas Monticelli, 1876

oil, panelRomanticismgenre paintingfigurestreeslandscapeclothingdogsgathering
experienced study

Recreating this painting will develop skills in loose, expressive brushwork and creating depth through layering and color temperature. Students will also practice simplifying complex forms into abstract shapes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and landscape elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main color masses for the figures, trees, and sky, focusing on warm and cool contrasts.

  4. step 04

    Begin layering thicker paint with visible brushstrokes, defining the forms and adding texture.

  5. step 05

    Use small, broken strokes to suggest details in the clothing and foliage.

  6. step 06

    Pay attention to the edges of the forms, softening some and sharpening others to create depth.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figures.

  8. step 08

    Refine the composition and add final touches, such as small details in the faces and clothing.

color palette

primary · burnt umber · raw sienna · titanium white · yellow ochre

secondary · cadmium red · viridian green · ultramarine blue

Achieve the earthy tones by mixing burnt umber and raw sienna with white. Use small amounts of red, green, and blue to create subtle variations in the shadows and highlights.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Becoming too focused on details and neglecting the overall composition.
  • →Using colors that are too saturated and creating a garish effect.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke