apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Meet, 'Ye Olde Wayside Inn'
The Meet, 'Ye Olde Wayside Inn' by Heywood Hardy

plate no. 6979

The Meet, 'Ye Olde Wayside Inn'

Heywood Hardy

oilRomanticismgenre paintingbuildingfigureshorsesdogstreeslandscape
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with multiple figures and animals, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition, focusing on the placement of the building, figures, horses, and dogs.

  2. step 02

    Establish the background with a thin wash of muted colors, creating the atmospheric perspective.

  3. step 03

    Block in the main colors of the building, horses, and figures, paying attention to the overall color harmony.

  4. step 04

    Start adding details to the building, including the windows, roof tiles, and ivy.

  5. step 05

    Develop the forms of the horses and figures, focusing on accurate anatomy and proportions.

  6. step 06

    Paint the dogs, simplifying their forms and using variations in color and value to create a sense of depth.

  7. step 07

    Add highlights and shadows to create form and dimension, paying attention to the light source.

  8. step 08

    Refine the details and add finishing touches, such as the foliage and the sign hanging from the tree.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix burnt umber and ultramarine blue for the dark browns and blacks. Use cadmium red and yellow ochre to achieve the red coats. Vary the tones by adding white, black, or raw sienna.

techniques

  • ·blocking in
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Ignoring the overall color harmony
  • →Failing to create a sense of depth
  • →Incorrect proportions of figures and animals

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke