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home·artworks·The Mayflower Compact, 1620
The Mayflower Compact, 1620 by Jean Leon Gerome Ferris

plate no. 8292

The Mayflower Compact, 1620

Jean Leon Gerome Ferris

canvas, oilRomanticismhistory paintingfiguresinteriortablemaphistorical sceneclothing
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and creating a sense of depth through atmospheric perspective and value control. It also provides practice in depicting textures of different materials like wood, fabric, and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of highest contrast.

  4. step 04

    Develop the individual figures, paying attention to their anatomy, clothing, and facial expressions.

  5. step 05

    Add details to the objects in the scene, such as the table, map, and lantern.

  6. step 06

    Refine the overall composition and adjust the values as needed.

  7. step 07

    Add final details and highlights to create a sense of realism.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue · sap green

Achieve the muted tones by mixing earth tones with black and white. Use small amounts of red, blue, and green to create subtle color variations and avoid overly saturated colors.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Using colors that are too saturated and not in harmony with the overall muted palette.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurate proportions of figures and objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish
  • ·odorless mineral spirits

Use a canvas with a smooth weave to allow for detailed brushwork. Consider using a toned ground to help establish the overall value range.

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oil painting for beginners →how to learn by studying the masters →
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