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home·artworks·The massacre of the Tavani Arquati family
The massacre of the Tavani Arquati family by Carlo Ademollo

plate no. 8182

The massacre of the Tavani Arquati family

Carlo Ademollo, 1880

oil, canvasRomanticismhistory paintingfiguressoldiersinteriordeathhistoricalweapons
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating a somber mood through color and lighting. It also provides practice in rendering textures of clothing and weapons.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the overall composition and placement of figures.

  2. step 02

    Establish the background and the interior space using a limited palette of browns and grays.

  3. step 03

    Block in the main figures, paying attention to their proportions and poses.

  4. step 04

    Begin to develop the details of the soldiers' uniforms and weapons.

  5. step 05

    Focus on the figures on the ground, capturing their expressions and the folds of their clothing.

  6. step 06

    Refine the lighting and shadows to create depth and drama.

  7. step 07

    Add final details, such as the bloodstains on the floor and the textures of the walls.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the mood.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Use burnt umber and ivory black to create a range of grays for the soldiers' uniforms. Mix cadmium red with burnt umber to achieve the blood color. Use yellow ochre and titanium white to create the highlights on the figures' faces and clothing.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Overworking the painting and losing the freshness of the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel
  • ·easel

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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