plate no. 3270
The Man With Masks
Leonor Fini, 1949
study guide
est. 20 hrsapproach — 8 steps
- step 01
Sketch the basic composition, focusing on the figure's pose and proportions.
- step 02
Establish the dark background with broad, loose strokes.
- step 03
Block in the main areas of color for the figure, masks, and fur.
- step 04
Begin layering and blending colors to create smooth transitions in the skin tones.
- step 05
Add details to the face, paying attention to highlights and shadows.
- step 06
Develop the texture of the fur with short, broken brushstrokes.
- step 07
Refine the masks, adding details and adjusting colors.
- step 08
Glaze the entire painting to unify the colors and create depth.
color palette
primary · ivory black · raw umber · yellow ochre · titanium white
secondary · cadmium red · ultramarine blue
Mix skin tones by blending yellow ochre, raw umber, and titanium white. Use ivory black and raw umber to create the dark background and fur. Mix red and blue for the masks.
techniques
- ·glazing
- ·scumbling
- ·dry brushing
- ·portraiture
- ·chiaroscuro
common pitfalls
- →Overworking the details too early in the process.
- →Failing to establish a strong value structure.
- →Using colors that are too saturated.
- →Not blending the skin tones smoothly enough.
materials
surface · stretched canvas
required
- ·stretched canvas
- ·ivory black oil paint
- ·raw umber oil paint
- ·yellow ochre oil paint
- ·titanium white oil paint
- ·cadmium red oil paint
- ·ultramarine blue oil paint
- ·assorted brushes (round and flat)
optional
- ·palette knife
- ·linseed oil
- ·turpentine
Use high-quality oil paints for best results. Consider using a medium to thin the paints and speed up drying time.
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