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home·artworks·The Main Square in The Hague in the evening
The Main Square in The Hague in the evening by Petrus van Schendel

plate no. 2472

The Main Square in The Hague in the evening

Petrus van Schendel

oil, canvasRomanticismgenre paintingmarketfiguresbuildingsnightcandlelighttown
experienced study

Recreating this painting will help students understand how to depict artificial light sources and create atmospheric perspective. It will also develop skills in rendering figures and architectural details in low light conditions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: buildings, figures, market stalls.

  2. step 02

    Establish the overall dark background using a mix of blues, browns, and blacks.

  3. step 03

    Block in the main areas of light emanating from the candles and market stall lamps.

  4. step 04

    Develop the figures, paying attention to how the light falls on their forms and clothing.

  5. step 05

    Refine the architectural details of the buildings, using subtle variations in tone to suggest depth.

  6. step 06

    Add details to the market stalls, including the goods being sold and the surrounding objects.

  7. step 07

    Introduce the dog and other minor figures to add interest and scale.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · raw umber · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the warm glow of candlelight by mixing yellow ochre with small amounts of cadmium yellow and alizarin crimson. Create the dark background by blending ivory black, raw umber, and ultramarine blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering of light

common pitfalls

  • →Overworking the details in the dark areas, resulting in a loss of atmosphere.
  • →Failing to create a convincing sense of light emanating from the candles and lamps.
  • →Using colors that are too bright or saturated, which can disrupt the overall mood.
  • →Ignoring the subtle variations in tone that create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned canvas to establish the overall dark background.

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oil painting for beginners →how to learn by studying the masters →
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