apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Madonna of the Fish (The Madonna with the Archangel Gabriel and St. Jerome)
The Madonna of the Fish (The Madonna with the Archangel Gabriel and St. Jerome) by Raphael

plate no. 2214

The Madonna of the Fish (The Madonna with the Archangel Gabriel and St. Jerome)

Raphael, 1513

oil, canvasHigh Renaissancereligious paintingfiguresreligiousdraperybookangelchild
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and achieving subtle color transitions through glazing. It also provides practice in creating a balanced and harmonious composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin layering colors, focusing on the skin tones and drapery.

  4. step 04

    Develop the details of the faces, hands, and book.

  5. step 05

    Refine the drapery folds and shadows, paying attention to the light source.

  6. step 06

    Add the background and subtle details like the fish and lion.

  7. step 07

    Glaze over the painting to unify the colors and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · alizarin crimson · yellow ochre · titanium white

secondary · raw umber · burnt sienna · ivory black

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and raw umber to create the deep blues of the Madonna's robe. Mix burnt sienna and alizarin crimson for the reds in the angel's robe.

techniques

  • ·glazing
  • ·sfumato
  • ·figure drawing
  • ·drapery rendering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or muddy colors.
  • →Lack of depth and dimension.
  • →Ignoring the subtle transitions in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before glazing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael