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home·artworks·The Madonna and Child enthroned with Saints Onophrius and Augustine
The Madonna and Child enthroned with Saints Onophrius and Augustine by Piero di Cosimo

plate no. 4216

The Madonna and Child enthroned with Saints Onophrius and Augustine

Piero di Cosimo

oilHigh Renaissancereligious paintingfiguresarchitectureskylandscapereligiousclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in color mixing to achieve subtle variations in skin tones and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements, paying attention to proportions and composition.

  2. step 02

    Block in the background sky and landscape with thin washes of color.

  3. step 03

    Establish the basic shapes and values of the figures, starting with the underpainting.

  4. step 04

    Begin layering colors to build up the skin tones, using subtle variations in hue and value.

  5. step 05

    Carefully render the drapery, paying attention to the folds and highlights.

  6. step 06

    Add details to the architectural elements, such as the columns and arches.

  7. step 07

    Refine the facial features and add final details, such as the halos and accessories.

  8. step 08

    Glaze the painting with thin layers of color to unify the overall tone and create depth.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium red · viridian green · titanium white

Mix various shades of skin tones using burnt sienna, yellow ochre, and titanium white, with small amounts of cadmium red for warmth. Achieve the blue drapery by mixing ultramarine blue with white and a touch of black for shadows. Create the green by mixing viridian green with yellow ochre.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Incorrect proportions in figure drawing
  • →Overly harsh or flat skin tones
  • →Lack of depth in the background
  • →Poorly rendered drapery folds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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