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home·artworks·The Love Potion
The Love Potion by Evelyn De Morgan

plate no. 5454

The Love Potion

Evelyn De Morgan, 1903

oilRomanticismgenre paintingfigureinteriorbookswindowlandscapecat
experienced study

Recreating this painting will help students develop skills in rendering drapery, creating a sense of depth through atmospheric perspective, and accurately depicting the human form in a complex pose. It also provides practice in capturing subtle color variations and creating a narrative scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, paying close attention to the proportions and pose of the figure.

  2. step 02

    Block in the main shapes and colors of the background, including the landscape seen through the window.

  3. step 03

    Establish the base color for the figure's dress and begin to build up the folds and shadows.

  4. step 04

    Paint the skin tones, focusing on capturing the subtle variations in light and shadow.

  5. step 05

    Add details to the figure's hair, jewelry, and other accessories.

  6. step 06

    Paint the books and other objects in the interior, paying attention to their texture and form.

  7. step 07

    Add the final details, such as the cat and the figures in the landscape.

  8. step 08

    Refine the overall composition and make any necessary adjustments to the colors and values.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · alizarin crimson · ultramarine blue · cadmium red

Achieve the golden tones of the dress by mixing yellow ochre with burnt umber and a touch of white. Use alizarin crimson and ultramarine blue to create the purples and reds in the shadows and the love potion.

techniques

  • ·glazing
  • ·scumbling
  • ·rendering drapery
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →getting the proportions of the figure wrong
  • →flattening the drapery
  • →overworking the details
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouching varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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