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home·artworks·The Louis-Philippe Bridge and the Saint Gervais Church
The Louis-Philippe Bridge and the Saint Gervais Church by Raoul Dufy

plate no. 8718

The Louis-Philippe Bridge and the Saint Gervais Church

Raoul Dufy, 1904

oil, canvasImpressionismcityscapecityscapebridgechurchbuildingsfiguressky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, bridge, and church, paying attention to proportions.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall value structure.

  3. step 03

    Begin adding layers of broken color with visible brushstrokes, focusing on capturing the light and atmosphere.

  4. step 04

    Mix colors directly on the canvas to achieve subtle variations and optical blending.

  5. step 05

    Develop the details of the buildings and figures with small, expressive strokes.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add final touches to the sky and water, blending colors to create a sense of movement.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · ultramarine blue · burnt sienna · titanium white · yellow ochre

secondary · alizarin crimson · violet · sap green

Mix various shades of gray and blue for the sky and buildings. Use burnt sienna and yellow ochre for the bridge and foreground. Mix violet by combining alizarin crimson and ultramarine blue.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Using too much detail
  • →Creating muddy colors
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#8 flat brush
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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