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home·artworks·The Little Tea Party Nina Hamnett and Roald Kristian
The Little Tea Party Nina Hamnett and Roald Kristian by Walter Sickert

plate no. 2939

The Little Tea Party Nina Hamnett and Roald Kristian

Walter Sickert, 1916

oilImpressionismgenre paintingfiguresinteriorcouchtabletea setroom
some experience helpful

Recreating this painting will help students develop skills in capturing figures in a relaxed setting and understanding how to use a limited palette to create a sense of atmosphere and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figures and furniture.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the figures and furniture.

  3. step 03

    Establish the main light and shadow patterns, paying attention to how the light falls on the figures and objects.

  4. step 04

    Refine the shapes and details of the figures, adding subtle variations in color and tone.

  5. step 05

    Add details to the tea set and other objects on the table.

  6. step 06

    Develop the textures of the couch, clothing, and background using visible brushstrokes.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use ultramarine blue to create cooler grays and to tint the shadows. Add yellow ochre to warm up the browns and create highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too many colors and creating a muddy effect.
  • →Failing to capture the correct proportions of the figures.
  • →Ignoring the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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