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home·artworks·The little showman
The little showman by Leopold Pollak

plate no. 0052

The little showman

Leopold Pollak, 1877

oil, panelRomanticismgenre paintingfiguresinteriorchildrendogtablewindow
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and understanding atmospheric perspective to create depth in an interior scene. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Start refining the details of the figures, paying attention to facial expressions and clothing.

  5. step 05

    Work on the background elements, using softer edges and less detail to create depth.

  6. step 06

    Add the final details, such as highlights on the faces and clothing, and textures on the walls and floor.

  7. step 07

    Glaze with thin layers of color to unify the painting and adjust the values.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · viridian

Mix browns and grays by combining burnt umber, raw sienna, ivory black, and titanium white in varying proportions. Use yellow ochre and cadmium red to create warm skin tones, and viridian to create the green of the stove.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the initial brushstrokes.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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