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home·artworks·The Little Hotel
The Little Hotel by Joseph DeCamp

plate no. 4379

The Little Hotel

Joseph DeCamp, 1903

oil, canvasImpressionismlandscapewaterbuildingstreesreflectionlandscapesky
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and learn to capture reflections in water using broken brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and shoreline, paying attention to proportions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the large areas of color, starting with the sky and water, using thin washes.

  4. step 04

    Build up the colors in the buildings and trees, layering different hues and values.

  5. step 05

    Focus on capturing the reflections in the water, using horizontal brushstrokes and broken color.

  6. step 06

    Add details to the buildings and trees, such as windows, branches, and foliage.

  7. step 07

    Refine the edges and values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium yellow · raw sienna · viridian

Achieve the warm tones by mixing burnt umber, yellow ochre, and white. Create the water reflections by mixing the sky colors with burnt umber and white to create muted tones.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Not capturing the subtle color variations in the water.
  • →Creating overly defined edges, which can flatten the image.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for better paint adhesion and brushstroke visibility.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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