apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Little Hat
The Little Hat by Ethel Léontine Gabain

plate no. 2066

The Little Hat

Ethel Léontine Gabain

oilNeo-Romanticismportraitfigureportraitdresswindowhatindoor
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on a figure, as well as simplifying complex patterns into expressive brushstrokes. It also provides practice in creating a sense of depth and atmosphere with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the window.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Block in the background and the dress with broad, loose brushstrokes.

  4. step 04

    Begin to refine the details of the face and hands, paying attention to the subtle shifts in value.

  5. step 05

    Add the stripes of the dress, varying the thickness and direction of the lines to create a sense of movement.

  6. step 06

    Introduce the details of the hat and the flowers, using small, delicate brushstrokes.

  7. step 07

    Adjust the overall composition and add any final touches to enhance the painting's mood and atmosphere.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · ivory black · titanium white · raw umber

secondary · alizarin crimson · yellow ochre · cerulean blue

Mix shades of gray by combining ivory black and titanium white. Use raw umber to create warm shadows and earthy tones. Add small amounts of alizarin crimson and yellow ochre to create subtle variations in skin tone.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating stripes that are too uniform and lack variation.
  • →Failing to capture the subtle shifts in value that create form.
  • →Ignoring the importance of the background in creating a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·#6 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dancer and the Canary

The Dancer and the Canary

Ethel Léontine Gabain

Lilac and Tulips

Lilac and Tulips

Ethel Léontine Gabain

Women Welders at Williams & Williams, Chester

Women Welders at Williams & Williams, Chester

Ethel Léontine Gabain

Landscape. Cookham Dene.

Landscape. Cookham Dene.

Stanley Spencer

HMS 'Revenge' Leaving Harbour

HMS 'Revenge' Leaving Harbour

Richard Eurich

The Resurrection - Waking Up 2

The Resurrection - Waking Up 2

Stanley Spencer

Landscape with Magnolia

Landscape with Magnolia

Stanley Spencer

Solskin

Solskin

Harald Sohlberg