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home·artworks·The little girl with a special nanny
The little girl with a special nanny by Aurelio Tiratelli

plate no. 4919

The little girl with a special nanny

Aurelio Tiratelli

oil, panelRomanticismgenre paintingfigureschilddogfoliagebuildinglandscape
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and practice blending techniques to create soft transitions and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, dog, and architectural elements.

  2. step 02

    Establish the background with broad washes of color, creating the impression of foliage and a distant building.

  3. step 03

    Block in the main shapes of the figures and the dog, paying attention to proportions and anatomical accuracy.

  4. step 04

    Begin to refine the details of the figures, including facial features, clothing, and accessories.

  5. step 05

    Develop the textures of the foliage and architectural elements, using varied brushstrokes and color variations.

  6. step 06

    Add highlights and shadows to create depth and dimension, focusing on the light source.

  7. step 07

    Refine the details of the dog's fur and the child's clothing, using small brushes and precise strokes.

  8. step 08

    Make final adjustments to the composition, color balance, and overall harmony of the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · sap green · yellow ochre · ultramarine blue

Achieve the muted tones by mixing complementary colors and using white to create tints. Use glazes to build up depth and luminosity.

techniques

  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red, sap green, yellow ochre, ultramarine blue)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 8, 10)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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