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home·artworks·The Lily Pool
The Lily Pool by Jessie Willcox Smith

plate no. 5587

The Lily Pool

Jessie Willcox Smith, 1903

mixed mediaImpressionismillustrationchildrenlily pondwater liliesgardentreesbuilding
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and capturing the subtle reflections in water. It also provides practice in creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, the pond, and the background elements.

  2. step 02

    Establish the main color blocks for the sky, trees, grass, and the pond's water.

  3. step 03

    Begin layering in the darker values of the trees and shadows, using a slightly dry brush technique.

  4. step 04

    Add the base colors for the figures, paying attention to the light and shadow on their clothing.

  5. step 05

    Paint the water lilies and lily pads, capturing their shapes and reflections in the water.

  6. step 06

    Refine the details of the figures, including their hair, faces, and clothing folds.

  7. step 07

    Add highlights to the water, lilies, and figures to create a sense of light and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · yellow ochre · viridian green · titanium white

secondary · burnt umber · cadmium yellow · cerulean blue

Mix greens by blending viridian with yellow ochre and white. Achieve the muted tones of the figures by mixing yellow ochre, burnt umber, and white. Use cerulean blue and white for the sky and water reflections.

techniques

  • ·dry brush texture
  • ·color layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details, which can lead to a stiff and unnatural look.
  • →Failing to capture the subtle color variations in the water and foliage.
  • →Ignoring the importance of light and shadow in creating depth and form.
  • →Using colors that are too saturated, which can detract from the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 detail brush
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)

optional

  • ·retarder medium
  • ·painting medium
  • ·easel

Use a canvas with a medium texture to allow for better paint adhesion and blending. Consider using a glazing medium to enhance the transparency of the colors.

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related guides

color theory for painters →how to learn by studying the masters →
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