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home·artworks·The lemonade seller
The lemonade seller by Saverio della Gatta

plate no. 2212

The lemonade seller

Saverio della Gatta, 1807

gouache, watercolor, paperRomanticismgenre paintingfiguresstreet scenemarket stallarchitectureflagsbeverages
some experience helpful

Recreating this painting will help students develop skills in figure painting, architectural rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the nuances of light and shadow in a complex scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Block in the basic colors of the sky, buildings, and ground with thin washes.

  3. step 03

    Establish the main light source and begin to define the shadows on the figures and architecture.

  4. step 04

    Paint the lemonade stand, focusing on the details of its structure and the arrangement of glasses and barrels.

  5. step 05

    Add details to the figures, including clothing, faces, and hands.

  6. step 06

    Refine the architectural details, such as windows, doors, and rooflines.

  7. step 07

    Paint the flags and foliage, adding touches of color and texture.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · Prussian blue · yellow ochre

secondary · burnt sienna · ivory black · titanium white

Mix various shades of gray and brown by combining raw umber, Prussian blue, and white. Use yellow ochre and burnt sienna for the flags and figures' clothing. Create a muted blue for the sky by mixing Prussian blue with white and a touch of raw umber.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the colors too bright and saturated.
  • →Failing to create a sense of depth.
  • →Overworking the details.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·gouache paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·masking fluid
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Gouache can be used to add opacity and highlights.

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