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home·artworks·The Last Voyage of Henry Hudson
The Last Voyage of Henry Hudson by John Collier

plate no. 5737

The Last Voyage of Henry Hudson

John Collier, 1881

oilRomanticismhistory paintingfiguresboaticebergsmountainswatersky
experienced study

Recreating this painting will help students develop skills in rendering figures with realistic proportions and capturing atmospheric perspective to create depth. It also provides practice in mixing subtle color variations to depict light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures, boat, and landscape.

  2. step 02

    Block in the main shapes and colors of the background, including the sky, mountains, and icebergs, using thin washes of paint.

  3. step 03

    Establish the basic values and colors of the boat and figures, paying attention to the light source and shadows.

  4. step 04

    Begin to refine the details of the figures, focusing on the facial features, clothing, and hands.

  5. step 05

    Add details to the boat, including the wood grain and texture.

  6. step 06

    Develop the icebergs and water, using layering and blending techniques to create a sense of depth and realism.

  7. step 07

    Adjust the values and colors throughout the painting to create a harmonious and unified image.

  8. step 08

    Add final details and highlights to enhance the overall effect.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the cool tones of the ice and water by mixing white with small amounts of blue and umber. Create the warm tones of the figures' clothing and skin by mixing ochre, sienna, and red.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly saturated colors that detract from the somber mood.
  • →Lack of depth in the landscape.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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