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home·artworks·The Last Look in the Mirror
The Last Look in the Mirror by Giovanni Boldini

plate no. 8569

The Last Look in the Mirror

Giovanni Boldini

oilImpressionismgenre paintingfiguredressinteriormirrortableornament
experienced study

Recreating this painting will help students develop skills in rendering complex textures with loose brushwork and capturing the interplay of light and shadow in an interior setting. It also provides practice in depicting the human figure in a dynamic pose.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the mirror, the table, and the overall composition.

  2. step 02

    Establish the background colors with thin washes, focusing on the variations in tone and the play of light.

  3. step 03

    Block in the main colors of the figure's dress, paying attention to the folds and drapery.

  4. step 04

    Start building up the details of the dress with short, broken brushstrokes, capturing the texture and patterns.

  5. step 05

    Add the highlights and shadows to the figure, defining the form and creating depth.

  6. step 06

    Work on the details of the mirror and table, using a variety of brushstrokes to create texture and interest.

  7. step 07

    Refine the background and foreground, adding details and adjusting the values to create a sense of depth.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium red · ivory black

Achieve the subtle variations in the dress by mixing ultramarine blue with white and small amounts of yellow ochre and burnt umber. Use red and black to create the dark shadows in the cloak.

techniques

  • ·broken brushstrokes
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the subtle variations in tone and color.
  • →Getting bogged down in the complexity of the dress pattern.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette knife

optional

  • ·retouch varnish
  • ·palette
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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