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home·artworks·The Last Days of Pompeii
The Last Days of Pompeii by James Hamilton

plate no. 1925

The Last Days of Pompeii

James Hamilton, 1864

oilRomanticismhistory paintingcityscapecolumnfiresmokebuildingsfigures
experienced study

Recreating this painting will help students develop skills in dramatic lighting, atmospheric perspective, and loose, expressive brushwork. It also encourages the study of value relationships to create depth and mood.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the column and buildings.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Block in the general areas of light and shadow, using thin washes of color.

  4. step 04

    Begin building up the layers of paint, focusing on the areas around the central column.

  5. step 05

    Use a dry brush technique to create texture in the smoke and fire.

  6. step 06

    Add highlights to the column and buildings to create a sense of depth.

  7. step 07

    Refine the details of the figures and architectural elements.

  8. step 08

    Add final touches of light and shadow to enhance the dramatic effect.

color palette

primary · burnt umber · ivory black · yellow ochre

secondary · cadmium red · titanium white

Mix burnt umber and ivory black for the dark areas. Use yellow ochre and titanium white for the highlights. Add small amounts of cadmium red to create the glow of the fire.

techniques

  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to create enough contrast between light and shadow.
  • →Using too much color and losing the overall tonal harmony.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to establish the dark background.

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oil painting for beginners →how to learn by studying the masters →
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