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home·artworks·The large reservoir, Saltholm
The large reservoir, Saltholm by Theodor Philipsen

plate no. 0844

The large reservoir, Saltholm

Theodor Philipsen, 1911

oilImpressionismanimal paintingcowshorsesgeesewaterskylandscape
some experience helpful

Recreating this painting will help students develop skills in depicting animals in a natural setting and capturing the subtle variations of light and color in a landscape. It also provides practice in creating depth and atmosphere through layering and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the placement of the animals, water, and horizon line.

  2. step 02

    Block in the main color areas for the sky, water, land, and animals using thin washes.

  3. step 03

    Begin adding details to the animals, focusing on their shapes and proportions.

  4. step 04

    Develop the textures of the land and water using varied brushstrokes.

  5. step 05

    Layer in highlights and shadows to create depth and dimension.

  6. step 06

    Refine the details of the animals' features and markings.

  7. step 07

    Add final touches and adjust the overall color balance.

  8. step 08

    Varnish the painting when dry to protect the surface and enhance the colors.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cerulean blue · burnt sienna · cadmium yellow

Mix various shades of brown and gray by combining raw umber, yellow ochre, and titanium white. Use cerulean blue and white for the sky and water, adding touches of yellow ochre for warmth. Mix burnt sienna with raw umber and white for the horses and cows.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details too early
  • →Creating flat, lifeless colors
  • →Ignoring the effects of light and shadow
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting thinner

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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