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home·artworks·The Lament
The Lament by Edward Burne-Jones

plate no. 1442

The Lament

Edward Burne-Jones, 1866

oil, canvasRomanticismgenre paintingfiguresdraperyarchitectureroseslyregarden
some experience helpful

Recreating this painting will help students develop skills in rendering realistic drapery folds and capturing subtle skin tones. It also provides practice in creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and colors using thin washes, focusing on the overall value structure.

  3. step 03

    Develop the drapery folds with careful attention to light and shadow, building up layers of color.

  4. step 04

    Refine the skin tones using subtle gradations of color, paying attention to the light source.

  5. step 05

    Add details to the architecture and lyre, using precise brushstrokes.

  6. step 06

    Paint the roses and foliage, capturing their delicate forms and colors.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · alizarin crimson · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · viridian green · cadmium yellow

Mix various shades of pink and red for the woman's dress by combining alizarin crimson and titanium white. Achieve the blue tones by mixing ultramarine blue with white and a touch of burnt umber for shadows. Use yellow ochre and white for the skin tones, adding small amounts of red or blue to adjust the temperature.

techniques

  • ·glazing
  • ·scumbling
  • ·color layering
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (alizarin crimson, ultramarine blue, yellow ochre, titanium white, burnt umber)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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