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The Lady with the Monkey by Aubrey Beardsley

plate no. 0442

The Lady with the Monkey

Aubrey Beardsley, 1898

oilArt Nouveau (Modern)illustrationfigurecurtainsmonkeyornamentslaceturban
experienced study

Recreating this image will help students develop skills in detailed line work, creating intricate patterns, and understanding the use of value to define form and create contrast.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the figure, monkey, and background elements.

  2. step 02

    Refine the sketch, adding details to the figure's clothing, the monkey's attire, and the decorative elements.

  3. step 03

    Start adding the darkest values, defining the shadows and outlines of the main subjects.

  4. step 04

    Gradually build up the mid-tones, using hatching and cross-hatching to create depth and texture.

  5. step 05

    Focus on the intricate details of the lace and ornamentation, using fine lines and precise shading.

  6. step 06

    Pay attention to the contrast between light and dark areas to create a sense of drama and visual interest.

  7. step 07

    Add final touches and refine any areas that need further definition.

  8. step 08

    Review the overall composition and make any necessary adjustments to ensure balance and harmony.

color palette

primary · black · white

secondary · gray

Varying shades of gray can be achieved by diluting black ink or paint with water or a suitable medium.

techniques

  • ·hatching
  • ·cross-hatching
  • ·stippling
  • ·line weight variation
  • ·contour drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Creating areas that are too flat or lack depth.
  • →Failing to vary the line weight, resulting in a monotonous appearance.
  • →Not paying enough attention to the contrast between light and dark areas.

materials

surface · smooth drawing paper

required

  • ·Fine-tipped drawing pens (various sizes)
  • ·Graphite pencils (HB, 2B)
  • ·Eraser
  • ·Ruler
  • ·Drawing paper (smooth surface)
  • ·Black ink
  • ·White gouache or ink

optional

  • ·Tracing paper
  • ·Light box
  • ·Calligraphy pens

Use high-quality drawing paper to prevent ink from bleeding or feathering. Experiment with different pen sizes to achieve varying line weights.

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