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home·artworks·The Kitten Deceived
The Kitten Deceived by William Collins

plate no. 7472

The Kitten Deceived

William Collins, 1816

oilRomanticismgenre paintingchildrencottageanimalslandscapefiguresarchitecture
experienced study

Recreating this painting will help students develop skills in rendering figures in natural light and creating depth through atmospheric perspective. It also provides practice in depicting textures of different materials like stone, foliage, and clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the cottage.

  2. step 02

    Establish the main light source and block in the large areas of color, paying attention to value relationships.

  3. step 03

    Begin refining the shapes of the figures and adding details to their clothing and faces.

  4. step 04

    Develop the background landscape, using lighter values and softer edges to create depth.

  5. step 05

    Add details to the cottage, including the window, door, and vines.

  6. step 06

    Paint the animals, paying attention to their anatomy and fur texture.

  7. step 07

    Refine the details and add highlights and shadows to create a sense of realism.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · sap green · burnt sienna

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt sienna. Create skin tones by mixing cadmium red, yellow ochre, and titanium white, adjusting the proportions for different complexions.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, yellow ochre, titanium white, cadmium red, ultramarine blue, sap green, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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