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home·artworks·The Kennebec River, Waiting for Wind and Tide
The Kennebec River, Waiting for Wind and Tide by William Bradford

plate no. 8394

The Kennebec River, Waiting for Wind and Tide

William Bradford, 1860

oilRomanticismmarinashipswaterskycloudssailsreflection
some experience helpful

This painting provides a good opportunity to practice rendering reflections in water and creating atmospheric perspective in the sky. Students can also develop their skills in depicting complex shapes like ships and rigging.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and the basic shapes of the ships, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with light blues and purples, blending the colors softly to create a sense of atmosphere.

  3. step 03

    Add the clouds, using white and light gray, and blend the edges to create soft, fluffy forms.

  4. step 04

    Paint the water with a base of light blue and gray, then add reflections of the ships and sky, using slightly darker values.

  5. step 05

    Begin detailing the ships, starting with the hulls and then adding the masts, rigging, and sails.

  6. step 06

    Use thin washes of color to create the details of the rigging and sails, and add highlights to the sails to create a sense of volume.

  7. step 07

    Refine the reflections in the water, paying attention to the way the light interacts with the surface.

  8. step 08

    Add final details and highlights to the ships and sky to complete the painting.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · payne's gray

Mix blues and whites for the sky, adding a touch of purple or gray for atmospheric perspective. Use raw umber and burnt sienna for the ships, and mix white with small amounts of other colors for the sails.

techniques

  • ·blending
  • ·glazing
  • ·atmospheric perspective
  • ·rendering reflections
  • ·linear perspective

common pitfalls

  • →Failing to create a convincing sense of depth in the sky and water.
  • →Making the reflections too sharp or detailed.
  • →Overworking the details of the ships.
  • →Not paying attention to the relative sizes and positions of the ships.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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