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home·artworks·The Kalverstraat, Celebrating the Birth of Princess Juliana of the Netherlands, 1 May 1909
The Kalverstraat, Celebrating the Birth of Princess Juliana of the Netherlands, 1 May 1909 by Isaac Israels

plate no. 8661

The Kalverstraat, Celebrating the Birth of Princess Juliana of the Netherlands, 1 May 1909

Isaac Israels, 1909

oilImpressionismgenre paintingcrowdbuildingsstreetfiguresarchitecturecityscape
some experience helpful

This drawing helps students practice creating depth and atmosphere using value and mark-making. It also encourages simplification of complex scenes into basic shapes and tones.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the overall composition.

  2. step 02

    Establish the horizon line and the vanishing point(s).

  3. step 03

    Block in the darkest areas of the crowd and buildings with charcoal.

  4. step 04

    Add mid-tones to suggest form and depth.

  5. step 05

    Use a kneaded eraser to lift out highlights and create a sense of light.

  6. step 06

    Refine the details of the buildings and figures, focusing on key elements.

  7. step 07

    Add texture and atmosphere with loose, expressive strokes.

  8. step 08

    Adjust values and contrasts to create a sense of depth and focus.

color palette

primary · charcoal gray · sepia

secondary · ivory black · raw umber

Vary the pressure and layering of charcoal to achieve different values. Use sepia to add warmth and depth to the shadows.

techniques

  • ·charcoal blending
  • ·value studies
  • ·atmospheric perspective
  • ·hatching
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating too much contrast too early in the process.
  • →Failing to establish a clear focal point.
  • →Making the crowd too uniform and lacking individual character.

materials

surface · drawing paper (toned or white)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (toned or white)
  • ·fixative spray
  • ·blending stump
  • ·ruler
  • ·pencil sharpener

optional

  • ·sepia ink wash
  • ·charcoal powder

Use a paper with some tooth to grip the charcoal. Toned paper can help establish mid-tones quickly.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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