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home·artworks·The Junta of the Philippines
The Junta of the Philippines by Francisco Goya

plate no. 1920

The Junta of the Philippines

Francisco Goya, 1815

oil, canvasRomanticismhistory paintinginteriorfiguresarchitecturecourtroomhistorical eventchandelier
experienced study

This painting provides an opportunity to practice atmospheric perspective and rendering figures in a dimly lit environment. Students will also develop skills in creating a sense of depth and capturing the mood of a historical scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective and placement of the main elements (figures, table, architecture).

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source and shadows.

  3. step 03

    Block in the main color areas, starting with the darkest tones and gradually adding lighter values.

  4. step 04

    Refine the details of the figures, focusing on capturing their gestures and expressions.

  5. step 05

    Add details to the architecture, including the columns, walls, and chandelier.

  6. step 06

    Work on the rug, using a combination of blending and dry brush techniques to create texture.

  7. step 07

    Adjust the overall value and color balance to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to enhance the realism of the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · yellow ochre · cadmium red

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use yellow ochre and cadmium red sparingly to add warmth to the skin tones and rug.

techniques

  • ·atmospheric perspective
  • ·chiaroscuro
  • ·dry brush texture
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

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