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home·artworks·The Irwin Lighthouse, Storm Raging
The Irwin Lighthouse, Storm Raging by John Wilson Carmichael

plate no. 4834

The Irwin Lighthouse, Storm Raging

John Wilson Carmichael, 1851

oilRomanticismmarinalighthousestormwavesshipwreckcloudssea
experienced study

Recreating this painting will help students develop skills in depicting dynamic water movement, atmospheric perspective, and creating a dramatic mood through light and shadow. It also provides practice in rendering complex shapes and textures in a limited color palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, placing the lighthouse and shipwreck.

  2. step 02

    Establish the horizon line and the overall proportions of the scene.

  3. step 03

    Block in the large shapes of the sky and sea with broad strokes.

  4. step 04

    Begin layering in the darker values of the clouds and the shadows in the water.

  5. step 05

    Add highlights to the waves to create a sense of movement and depth.

  6. step 06

    Refine the details of the lighthouse and shipwreck, paying attention to their forms and textures.

  7. step 07

    Glaze thin layers of color to unify the painting and create atmospheric effects.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium orange · ivory black

Mix blues and umbers with white for the sky and water. Use yellow ochre and orange for the lighthouse glow. Black is used sparingly for the darkest shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating flat, lifeless water by not varying the brushstrokes.
  • →Not capturing the atmospheric perspective, making the background appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider pre-toning the canvas with a neutral color.

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oil painting for beginners →how to learn by studying the masters →
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