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The Intruder by Arthur Fitzwilliam Tait

plate no. 2116

The Intruder

Arthur Fitzwilliam Tait

oil, wood, panelRomanticismanimal paintingdogbirdsforestfoliagetreesground
some experience helpful

Recreating this painting will help students develop skills in rendering animal fur and feathers, as well as creating depth and atmosphere in a landscape. Students can also practice mixing subtle color variations to achieve realistic textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the dog and birds.

  2. step 02

    Block in the main shapes and colors of the background forest, using thin washes.

  3. step 03

    Establish the values and colors of the dog's fur, paying attention to highlights and shadows.

  4. step 04

    Paint the birds, focusing on their anatomical accuracy and feather details.

  5. step 05

    Add details to the foreground, including the moss, leaves, and fallen branches.

  6. step 06

    Refine the details of the dog's face and expression.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · viridian green

secondary · raw sienna · ivory black · cadmium yellow light · ultramarine blue

Mix greens by combining viridian green with yellow ochre and titanium white. Create browns by mixing burnt umber with yellow ochre and a touch of black. Use white to lighten values and create highlights.

techniques

  • ·blending
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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