apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Inferno, Canto 10
The Inferno, Canto 10 by Gustave Doré

plate no. 9468

The Inferno, Canto 10

Gustave Doré

etchingRomanticismillustrationfigurestombsmokedarknesscavereligious
experienced study

This painting is a great exercise in understanding value and creating form with hatching and cross-hatching. Students will learn to build up dark areas gradually and create a sense of depth through line work.

technical profile

palette complexity
2
brushwork visibility
1
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the tomb, figures, and background.

  2. step 02

    Establish the darkest areas of the painting using closely spaced lines or solid black.

  3. step 03

    Start building up mid-tones with hatching, varying the spacing and thickness of the lines.

  4. step 04

    Use cross-hatching to create darker values and more complex textures.

  5. step 05

    Pay close attention to the direction of the lines to suggest form and volume.

  6. step 06

    Focus on creating a smooth transition between light and dark areas.

  7. step 07

    Add details to the figures and tomb, refining the shapes and textures.

  8. step 08

    Finish by adding highlights and adjusting the overall value contrast.

color palette

primary · black · white

secondary · gray

Varying the ratio of black and white will create different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·value gradation
  • ·line weight variation
  • ·rendering form

common pitfalls

  • →Creating muddy or undefined values.
  • →Using lines that are too uniform or lack variation.
  • →Failing to establish a clear light source.
  • →Not paying attention to the direction of the lines.

materials

surface · smooth paper

required

  • ·smooth paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·ruler
  • ·fine liner pens

optional

  • ·tortillon
  • ·kneaded eraser
  • ·drawing board

Use a variety of pencils to achieve different values. Start with lighter pencils and gradually build up to darker ones.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke