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home·artworks·The Indolence
The Indolence by Eva Gonzales

plate no. 9149

The Indolence

Eva Gonzales, 1872

oil, canvasImpressionismportraitfigureportraitdressparrotcurtainflower
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, parrot, and other key elements.

  2. step 02

    Establish the background with dark, muted tones, paying attention to the subtle variations in value.

  3. step 03

    Block in the main shapes of the figure, using a thin wash of color to define the forms.

  4. step 04

    Begin building up the skin tones with layers of color, blending carefully to create smooth transitions.

  5. step 05

    Add details to the dress, shawl, and other fabrics, using small brushstrokes to suggest texture and folds.

  6. step 06

    Paint the parrot, focusing on capturing its shape and color with simple brushstrokes.

  7. step 07

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · titanium white · alizarin crimson · ultramarine blue

secondary · yellow ochre · burnt umber · viridian

Mix pinks by blending alizarin crimson and titanium white. Achieve the lavender hues by combining ultramarine blue, alizarin crimson, and white. Use burnt umber and ultramarine blue to create dark, muted tones for the background.

techniques

  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in value, leading to a lack of depth.
  • →Getting lost in the details and neglecting the overall composition.
  • →Using colors that are too bright or saturated, which can detract from the painting's muted palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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