
plate no. 9149
Eva Gonzales, 1872
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a sense of atmosphere.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, parrot, and other key elements.
Establish the background with dark, muted tones, paying attention to the subtle variations in value.
Block in the main shapes of the figure, using a thin wash of color to define the forms.
Begin building up the skin tones with layers of color, blending carefully to create smooth transitions.
Add details to the dress, shawl, and other fabrics, using small brushstrokes to suggest texture and folds.
Paint the parrot, focusing on capturing its shape and color with simple brushstrokes.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add final touches and highlights to complete the painting.
color palette
primary · titanium white · alizarin crimson · ultramarine blue
secondary · yellow ochre · burnt umber · viridian
Mix pinks by blending alizarin crimson and titanium white. Achieve the lavender hues by combining ultramarine blue, alizarin crimson, and white. Use burnt umber and ultramarine blue to create dark, muted tones for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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