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home·artworks·The Inauguration of the Great Exhibition, 1 May 1851
The Inauguration of the Great Exhibition, 1 May 1851 by David Roberts

plate no. 7805

The Inauguration of the Great Exhibition, 1 May 1851

David Roberts, 1854

oilRomanticismgenre paintingarchitecturefiguresinteriorexhibitioncrowdglass roof
advanced study

Recreating this painting would help students develop skills in perspective drawing, rendering complex architectural details, and painting figures in a crowd. It also provides practice in creating atmospheric perspective to convey depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall perspective and major architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the building, the red carpet, and the sky visible through the glass roof.

  3. step 03

    Start defining the architectural details, paying close attention to the repeating patterns of the glass roof and the ironwork.

  4. step 04

    Add the figures in the crowd, starting with the larger shapes and gradually adding detail to the foreground figures.

  5. step 05

    Develop the details of the interior decorations, such as the banners, statues, and chandeliers.

  6. step 06

    Refine the lighting and shadows to create depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · red · blue · yellow ochre · raw umber

secondary · white · black · green · burnt sienna

Achieve the subtle variations in the architectural details by mixing the primary colors with white and umber. Use glazes of red and blue to create depth in the shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering detail

common pitfalls

  • →Getting the perspective wrong, leading to a distorted image.
  • →Overworking the details, resulting in a stiff and lifeless painting.
  • →Failing to create a sense of depth and atmosphere.
  • →Inconsistent scale of figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·variety of brushes (small round, flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to render the fine details.

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