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home·artworks·The Houses are Illuminated by the Moonlight
The Houses are Illuminated by the Moonlight by Ivan Marchuk

plate no. 3894

The Houses are Illuminated by the Moonlight

Ivan Marchuk, 1983

oilMagic Realismlandscapehousesmoonlighttreeslandscapeskyvillage
some experience helpful

Recreating this painting will help students develop skills in layering colors with visible brushstrokes and creating atmospheric perspective using value and color variations. It also provides practice in depicting textures and forms with a unique, expressive style.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark brown or black base layer.

  2. step 02

    Sketch the basic shapes of the houses and trees lightly with charcoal or a light-colored pencil.

  3. step 03

    Using a small brush, begin applying short, directional strokes of dark brown and black to define the forms of the houses and trees.

  4. step 04

    Mix a lighter shade of brown or ochre and add highlights to the roofs and other areas where the moonlight would hit.

  5. step 05

    Create the sky by applying swirling strokes of dark brown, ochre, and yellow, gradually increasing the amount of yellow towards the center to represent the moonlight.

  6. step 06

    Continue layering strokes of different colors to build up texture and depth in the sky and landscape.

  7. step 07

    Add final details and highlights with a fine brush, paying attention to the direction and flow of the brushstrokes.

  8. step 08

    Allow the painting to dry completely and add a protective varnish if desired.

color palette

primary · burnt umber · yellow ochre · black

secondary · raw sienna · titanium white

Mix burnt umber and black for the darkest areas. Use yellow ochre and white to create lighter shades for highlights. Vary the proportions to achieve different tones.

techniques

  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·directional brushstrokes
  • ·atmospheric perspective

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Not varying the direction of the brushstrokes, which can make the painting look flat.
  • →Failing to create enough contrast between the light and dark areas.
  • →Losing the overall composition by focusing too much on small details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints (burnt umber, yellow ochre, black, raw sienna, titanium white)
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags
  • ·turpentine or mineral spirits (for oil paints)

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Using a textured canvas can enhance the effect of the brushstrokes. Acrylic paints will dry faster than oil paints.

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oil painting for beginners →how to learn by studying the masters →
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