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home·artworks·The House that Jack Built
The House that Jack Built by Peter Doig

plate no. 3534

The House that Jack Built

Peter Doig, 1992

oilMagic Realismlandscapehousetreesskybrick walllandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating texture with brushstrokes, and understanding atmospheric perspective. It also provides practice in simplifying complex subjects into abstract shapes and patterns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Divide the canvas into three horizontal sections representing the sky, the house/trees, and the brick wall.

  2. step 02

    Block in the basic colors of the sky using broad, horizontal brushstrokes, focusing on the reds, oranges, and blacks.

  3. step 03

    Establish the location of the house and trees with a light sketch, paying attention to their relative sizes and positions.

  4. step 04

    Paint the house and trees using a combination of thin washes and thicker impasto, focusing on the interplay of light and shadow.

  5. step 05

    Create the brick wall using a grid pattern of red lines and filling in the individual bricks with various shades of red, orange, black, and white.

  6. step 06

    Add details to the house, trees, and brick wall, such as windows, branches, and individual bricks.

  7. step 07

    Glaze over certain areas to unify the painting and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt sienna · black · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue

Achieve the sky colors by mixing reds, oranges, and blacks with varying amounts of white to create different values. The brick wall colors are achieved by mixing reds, oranges, blacks, and whites, and the house colors are achieved by mixing blues, greens, and browns.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·glazing
  • ·impasto

common pitfalls

  • →Overworking the details
  • →Creating a flat, lifeless painting
  • →Failing to establish a clear focal point
  • →Inconsistent brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·assorted brushes (flat and round)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Experiment with different brushstrokes and layering techniques to achieve the desired texture and depth.

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oil painting for beginners →how to learn by studying the masters →
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