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home·artworks·The hot sands, Mustapha, Algiers
The hot sands, Mustapha, Algiers by Charles Conder

plate no. 7150

The hot sands, Mustapha, Algiers

Charles Conder, 1891

oil, canvasImpressionismstill lifeflowerspitcherterraceseacityscapeshadow
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing and layering to create a sense of light and atmosphere. It also provides practice in capturing the delicate forms of flowers and the soft edges of shadows.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the pitcher, flowers, terrace, and distant cityscape.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure and the warm pink tones of the terrace.

  3. step 03

    Begin to refine the shapes of the pitcher and flowers, paying attention to the subtle variations in color and value.

  4. step 04

    Add details to the cityscape in the background, keeping it soft and atmospheric.

  5. step 05

    Develop the shadows, using a slightly cooler color to create contrast and depth.

  6. step 06

    Refine the details of the flowers, adding highlights and shadows to create form.

  7. step 07

    Add the fallen petals and any other small details.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · titanium white · rose madder · yellow ochre

secondary · ultramarine blue · sap green · violet

Achieve the warm pinks by mixing white, rose madder, and a touch of yellow ochre. Use ultramarine blue and white for the cool shadows. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·color layering
  • ·soft blending
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering form with subtle value changes

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Making the shadows too dark and harsh.
  • →Losing the soft, atmospheric quality of the painting.
  • →Overworking the details and losing the overall impressionistic feel.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·rose madder oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·sap green oil paint
  • ·round brushes sizes 2, 4, and 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·violet oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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