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home·artworks·The Honourable Edith Violet Kathleen Agar Robartes
The Honourable Edith Violet Kathleen Agar Robartes by Richard Jack

plate no. 1277

The Honourable Edith Violet Kathleen Agar Robartes

Richard Jack

oilImpressionismportraitportraitfiguredogdressjewelrycolumn
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. Students will also learn about color mixing to achieve subtle skin tones and create depth using value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and dog.

  2. step 02

    Block in the main shapes and colors of the background, figure, and dog using thin washes.

  3. step 03

    Develop the skin tones using layers of subtle color variations, paying attention to highlights and shadows.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Render the fabric of the dress, capturing the folds and highlights.

  6. step 06

    Paint the dog, focusing on its fur texture and facial features.

  7. step 07

    Add details such as the jewelry, flowers, and background elements.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and balanced painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cerulean blue · alizarin crimson · sap green

Mix skin tones by blending white, yellow ochre, and a touch of red and umber. Create the dress color by mixing white with a small amount of yellow ochre and umber. Use blue and white for the drapery.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies

common pitfalls

  • →Overworking the skin tones, resulting in a flat or muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the fabric.
  • →Neglecting the background, which can detract from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cerulean blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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