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home·artworks·The Holy Family with the Infant Saint John the Baptist
The Holy Family with the Infant Saint John the Baptist by Rosso Fiorentino

plate no. 4289

The Holy Family with the Infant Saint John the Baptist

Rosso Fiorentino, 1521

oilMannerism (Late Renaissance)religious paintingfiguresreligiousfamilyinfantdraperyhalo
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly the proportions of children, and in rendering drapery with light and shadow. It will also provide practice in achieving a muted, warm color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions on the canvas.

  2. step 02

    Establish the background with a thin wash of dark brown, leaving lighter areas where the figures will be.

  3. step 03

    Begin blocking in the main shapes of the figures with a mid-tone mixture of raw umber and white.

  4. step 04

    Develop the light and shadow on the faces and bodies, paying attention to the subtle transitions.

  5. step 05

    Add the drapery, using a slightly lighter value for the highlights and a darker value for the shadows.

  6. step 06

    Refine the details of the faces, hands, and feet.

  7. step 07

    Add the foliage and other minor details.

  8. step 08

    Glaze with thin layers of color to unify the painting and add depth.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · sap green

Achieve the skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use raw umber and ivory black for the darker areas. Mix sap green with yellow ochre and raw umber for the foliage.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Burnt sienna oil paint
  • ·Ivory black oil paint
  • ·Round brushes (various sizes)
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Sap green oil paint

Use a canvas with a smooth texture for best results. Consider using a toned ground to start with a mid-value.

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