apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Holy Family with Saints Anne and John the Baptist
The Holy Family with Saints Anne and John the Baptist by Domenico Tintoretto

plate no. 6249

The Holy Family with Saints Anne and John the Baptist

Domenico Tintoretto, 1595

oilMannerism (Late Renaissance)religious paintingfiguresreligiousfamilysaintsroseslamb
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and creating a sense of depth through atmospheric perspective and chiaroscuro. Students will also learn to mix subtle skin tones and render drapery folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Begin refining the figures, paying close attention to anatomy and facial features.

  4. step 04

    Develop the drapery, using highlights and shadows to create a sense of volume.

  5. step 05

    Add details such as the roses, lamb, and background elements.

  6. step 06

    Refine the lighting, especially the halo effect around Mary, to create a sense of drama.

  7. step 07

    Glaze thin layers of color to build up depth and richness.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the blue drapery by mixing ultramarine blue with white and a touch of black for shadows. Use glazes of red and umber to create the rich browns.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or flat lighting.
  • →Muddy or dull colors.
  • →Lack of attention to detail in the drapery and background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, cadmium red, yellow ochre, ivory black, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti