
plate no. 6816
Bernardino Luini, 1520
Recreating this painting will help students develop skills in portraiture, figure drawing, and achieving subtle gradations in skin tones and fabric folds. It also provides practice in creating a complex composition with multiple figures.
technical profile
approach — 8 steps
Create a preliminary sketch outlining the composition and placement of figures.
Block in the main shapes and values using thin washes of color.
Begin building up the skin tones of the figures, focusing on subtle highlights and shadows.
Develop the drapery, paying attention to the folds and how they catch the light.
Refine the details of the faces, including the eyes, nose, and mouth.
Add the background, keeping it dark and muted to emphasize the figures.
Glaze the painting with thin layers of color to unify the composition and add depth.
Add final details and highlights to complete the painting.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red
secondary · ultramarine blue · yellow ochre · ivory black
Achieve skin tones by mixing white, sienna, and a touch of red. Use ultramarine blue and burnt umber to create the dark background. Mix red and umber for the drapery shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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