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home·artworks·The Holy Family with Saint John the Baptist and Saint Margaret
The Holy Family with Saint John the Baptist and Saint Margaret by Filippino Lippi

plate no. 1667

The Holy Family with Saint John the Baptist and Saint Margaret

Filippino Lippi, 1490

oilHigh Renaissancereligious paintingfiguresreligiouslandscapearchitecturechildrenfamily
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and atmospheric perspective. It also provides practice in color mixing and achieving subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background, starting with the sky and architecture.

  3. step 03

    Establish the basic values and colors of the figures, focusing on the drapery and skin tones.

  4. step 04

    Begin to refine the details of the faces and hands, paying attention to the light and shadow.

  5. step 05

    Add details to the clothing, hair, and other elements of the composition.

  6. step 06

    Refine the background details, including the landscape and architectural elements.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the colors.

color palette

primary · ultramarine blue · cadmium red · yellow ochre

secondary · burnt umber · titanium white · raw sienna

Achieve skin tones by mixing white, red, and yellow ochre. Use ultramarine blue and burnt umber to create shadows in the drapery. Mix white with small amounts of blue and yellow to create the sky.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or muddy colors
  • →Lack of depth and dimension
  • →Ignoring the subtle gradations of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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