apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Holy Family with Saint Jerome
The Holy Family with Saint Jerome by Correggio

plate no. 1198

The Holy Family with Saint Jerome

Correggio, 1519

oil, panelHigh Renaissancereligious paintingfiguresreligious scenefamilybabysaintportrait
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and capturing subtle facial expressions. It also provides practice in creating depth and atmosphere through chiaroscuro.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions on the canvas.

  2. step 02

    Establish the background with dark, blended tones.

  3. step 03

    Block in the main shapes of the figures with mid-tone colors.

  4. step 04

    Begin layering lighter tones to define the forms and create highlights.

  5. step 05

    Focus on the faces, paying close attention to the subtle gradations of light and shadow.

  6. step 06

    Refine the details of the clothing and hands.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a luminous effect.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white for the Virgin Mary's veil. Create depth by glazing with thin layers of burnt umber and ivory black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·sfumato
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to capture the subtle nuances of skin tones.
  • →Not paying enough attention to the overall composition and balance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

Madonna Bolognini

Madonna Bolognini

Correggio

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi